This is a fan-transcribed script for Oxenfree, the 2016 game developed by Night School Studio.

It consists of the dialogue said by the characters, rather than the subtitles, due to dropped or added words, as well as misspellings in the subtitles. Because of the nature of a text script, this will not include positions of when characters interject over one another. For that, you will need to refer to the game or a playthrough.

This page is going to be huge when it's done. It may be split into sub-pages eventually, to lessen bulk.

CURRENT PROJECT: Integration of second route. No interactions (unless required for game advancement). New Game + will be its own page.

At the moment, there are no plans to notify whether or not a choice will lead to changes in character opinions of Alex; the current project will focus on simply transcribing all dialogue in the game.

This is not meant to be a replacement for playing the game; this is intended to be a full script for fan reference, as tracking down certain quotes, especially those locked behind certain dialogue options, can be a pain in the neck. If you have not played the game, play the game. You will not regret it.

You can purchase Oxenfree from any of these platforms or distributors:

Style guide

Each line of dialogue is labeled and color-coded. Dialogue played over speakers generally will look like this; dialogue pertaining to The Sunken and possessed characters will look like this.

Choices for Alex's responses to people are represented with blockquotes, which contain resulting conversation. Conditions may apply for certain situations, represented with a blockquote and heading pertaining to said condition.

8 PM - Ferry

MY MIND DRIFTED.

I'M LISTENING.

EDWARDS ISLAND

SOMETHING SOMETHING COOKIES?

UH, BIRD ISLAND OR WHATEVER.

  • ALEX: Um... something about Bird Island or... pancakes? I dunno.
  • REN: Perfect! You're right on the money.

YEAH, SORRY.

YES, PLEASE DON'T.

NO, WHAT HAPPENED?

A STEP-BROTHER.

JUST SOME GUY.

A ROOMMATE.

NO, THAT'S WEIRD.

SURE, WHATEVER.

YEAH, IT'S NICE.

AHHHHHH, STOP!

BEST BUDS, CLEARLY.

HOW I'VE TRIED TO FORGET.

WHO'S TALKING?

HOW DO YOU KNOW THIS?

WHY?

GREAT!

FINE.

IT'S BIBLICAL, RIGHT?

IT MEANS "OPPRESSOR."

POSE FOR PICTURE

...

OF COURSE!

WHAT RADIO?

...

Tuning in...

Main Street

YEAH, SURE.

NO THANKS.

WHAT'S WRONG WITH REN BEING HERE?

IS SOMETHING WRONG?

DON'T BE WEIRD ALREADY, JONAS...

LET'S KEEP TOGETHER.

I'LL HEAR WHAT JONAS HAS TO SAY.

HE IS.

  • ALEX: Yeah. I mean, he's harmless. But, yeah, he's nice.

HE ANNOYS ME.

WHAT DID YOU WANT TO TALK ABOUT?

YOU MISS YOUR FRIENDS?

  • ALEX: Yeah, I'm... sure you miss your friends.
  • JONAS: Eh. There's not much to miss, to be honest.

WE'LL MAKE THE BEST OF IT.

  • ALEX: Eh. We'll make do. Lemons, lemonade, however that goes.
  • JONAS: An optimist. Oh, Christ.

STOP IT.

  • ALEX: Oh, stop it.

AND PROUD OF IT!

  • ALEX: [chuckle] Yeah, I'm an optimist and proud of it!

THAT WAS MIKE'S ROOM...

  • ALEX: That was, um... that was Mike's room, actually... so... there wasn't that much to set up.
  • JONAS: Oh. Oh, man... I'm sorry.
  • JONAS: I... didn't mean to bring it up.

IT'S OKAY.

  • ALEX: It's okay, you didn't know.

LET'S CHANGE THE SUBJECT

  • CONTENT MISSING

NO PROBLEM...

  • ALEX: Yeah, no problem. Any time.

WE DIDN'T SET IT FOR YOU.

  • CONTENT MISSING

...

I HEARD YOUR MOM'S DEAD.

  • CONTENT MISSING

NICE, UH, VIEW.

  • ALEX: It's... nice at night, isn't it?
  • JONAS: [chuckle] Yeah.

I HEARD YOU WERE IN JAIL?

  • ALEX: I heard... um, I think from my mom, that... you, uh...
  • JONAS: Went to jail?
  • JONAS: Yeah, well... don't believe everything you hear.

...

HOW'D THEY PULL THAT?

THAT'S KINDA GROSS.

THAT'S KINDA CUTE.

ARE MORE PEOPLE COMING?

"IMPROPER ACTS?" LIKE WHAT?

WE'RE NOT ALLOWED HERE?

THIS IS GETTING OLD.

OKAY...

HA... HA?

DON'T GET WEIRD NOW.

KICK BALL

DON'T WANNA PLAY?

HEY!

NOT NICE.

...

MY HEART'S GONNA EXPLODE.

THIS IS NUTS!

...if Ren first,

NO CRAP.

MAYBE...

WHAT TIPPED YOU OFF?

  • ALEX: Oh, yeah? What tipped you off? The messages? The ball? Or maybe it was the ghost--
  • JONAS: The ghost that just burned itself into the rock? Yeah, that.

...

JONAS?!

AGAIN?

OH NO.

...

WAIT, WHAT'S HAPPENING?

HOW AM I..?

MICHAEL'S DEAD...

WHAT DO YOU MEAN?

WHAT ARE YOU?

...

UGH, AGAIN?!

THERE MUST BE A WAY OUT.

BUT I KICKED THE BALL!

DO YOU REMEMBER MORE NOW?

I SAW ANOTHER VERSION OF ME...

"DON'T TELL MICHAEL WHAT TO DO."

  • ALEX: It said that I... shouldn't tell Michael what to do about Clarissa.
  • ALEX: Which is, of course, totally useless advice for a doppleganger, since Michael's still totally dead.
  • JONAS: You know, at some point this is all gonna make sense. I just hope it happens before we leave.

DOESN'T MATTER.

THERE BETTER BE...

TAPE PLAYER

...

BUT WHAT DID I DO?

FEEL ANY DIFFERENT?

IS THE TIME THING FIXED?

...

GHOSTS, HUH?

HAVING FUN YET?

UNLESS WE DIE.

  • ALEX: Unless we die.
  • JONAS: Unless we die, yes.

THIS IS REALLY INSANE.

BUT?

  • ALEX: Buuut?
  • JONAS: Nah, I couldn't think of anything to say.

GO ON...?

DO THEY WANT ANYTHING?

THAT'S WHAT MOVIES TAUGHT ME.

  • ALEX: I don't think our previous knowledge of movies and comic books applies here. Really.
  • ALEX: But, fine.

JUSTICE, USUALLY.

I DON'T KNOW.

...

WHAT'S WRONG?

CALM DOWN...

IT'S US, NONA.

WHAT ARE YOU TALKING ABOUT?

UH OH, YOU'RE INSANE.

WE HAVEN'T SEEN YOU.

...if Ren first,

SHE'S AT FT. MILNER

  • ALEX: Clarissa's at--
  • JONAS: No--no, we haven't, but we, uh, we're actually--we're looking for Ren right now. So, have you--have you maybe seen him?
  • NONA: No, not Ren.

WE'RE LOOKING FOR REN.

NOPE!

  • ALEX: Nope, haven't seen her.

...if Clarissa first,

SHE JUMPED OUT A WINDOW.

  • ALEX: Clarissa--
  • JONAS: No--no, we haven't, but we, uh, we're actually--we're looking for Ren right now. So, have you--have you maybe seen him?
  • NONA: No, not Ren.
  • NONA: Okay, well--
  • JONAS: Hey, listen, Nona... you should come with us. That way we're not all, you know, separated.
  • NONA: I'm not going anywhere with you.
  • JONAS: Alright, okay. Hey, I get it, I do, I'm jumpy right now too, but... can you do me a favor?

LET HER GO, JONAS.

NONA, WAIT A SECOND.

  • ALEX: Just--hold up a second, Nona, okay?
  • JONAS: Yeah, can you just do us a favor?
  • JONAS: Can you just... can you go to the comm tower and wait for us?
  • JONAS: We got the lights on there, and...
  • JONAS: It seems pretty safe.

CLARISSA JUMPED OUT A WINDOW!

YOU SHOULD COME WITH US.

  • ALEX: No, Nona, you should really come with us, it's better to stick together.
  • NONA: Better for who?
  • JONAS: Nona...

FOR YOU!

  • ALEX: For you! Who do you think I'm talking about?
  • NONA: No.
  • ALEX: [sigh]

FOR ALL OF US!

  • ALEX: For everyone, for all of us!
  • NONA: No.
  • ALEX: [sigh]

YEAH, GO THERE.

WE'RE LOOKING FOR REN.

NOPE!

NONA, WAIT A SECOND.

YES, IT'S ME.

NO, I'M A ZOMBIE.

WHO ELSE WOULD I BE?

Relay Point

...if Alex flipped the switch,

TO IMPRESS YOU, OF COURSE!

  • ALEX: Oh, to impress you, of course! Why would I do anything except to delicately enhance your opinion of me?
  • JONAS: [chuckle] Okay, alright.

ARE YOU STILL ON THAT?

I WANTED TO SEE WHAT WOULD HAPPEN.

  • ALEX: Eh, I just wanted to see what would happen, to be honest.
  • JONAS: ...alright.

...if Jonas flipped the switch,

YOU WANTED TO.

  • ALEX: Cause you wanted to, that's why. Pretty simple, really.
  • JONAS: Alright.

I'M NOT GONNA PUT MYSELF IN DANGER.

DIDN'T WANT TO HURT YOUR FEELINGS.

  • ALEX: I--just didn't want to hurt your feelings, okay? It's easier that way... with boys.
  • JONAS: Alright, well, you don't have to do that with me, alright? Do what you want, I'm not gonna fret over it.

MINERS.

DON'T WORRY ABOUT IT.

IT'D BORE YOU.

OF COURSE.

UH... IT DEPENDS.

YES...

I THINK YOU'RE SMART!

DISDAIN?

STRESS, PERHAPS?

  • ALEX: Maybe it's stress? Like, from what's going on? Right now?
  • JONAS: You think I don't know stress? I know stress.
  • ALEX: [laughs]
  • JONAS: It's like... I dunno... Nah, it'll come to me.

SUPERIORITY?

WHAT DOES IT MATTER!

UH, YOU'RE AVERAGE...

...

...if Ren first,

C'MON, LET'S GO.

GOOD TO SEE YOU'RE OKAY.

  • ALEX: [sigh] Good to see you're okay. It's... bad out there.
  • REN: No, I'm good. I'm just glad you're here.

YOU'RE LUCKY WE MADE IT.

...if Clarissa first,

WE WENT TO CLARISSA FIRST.

  • ALEX: We... went to Milner first. Clarissa was having a slow motion conniption, and, I dunno, it just seemed more pressing...
  • REN: Oh my god, Clarissa can handle herself. I'm the one that needed a babysitter until I was fourteen!

HEY, WE CAME, ALRIGHT?

SORRY ABOUT THAT.

...

DAMNIT.

WHERE'S REN?

JONAS, WE'RE STUCK AGAIN.

MAYBE SOMETHING'S WRONG.

I'M WORRIED ABOUT TIME ITSELF.

YOU'RE JUST SLOW.

REN, WE'RE HERE!

YOU'RE A GIANT IDIOT!

ARE YOU ALRIGHT?

WHAT'S THE MATTER?

SNAP OUT OF YOUR DRUG HAZE!

IS HE IN SHOCK?

I DON'T THINK IT'S THAT.

IT'S THOSE DRUGS HE TOOK.

HE'S SICK OR SOMETHING.

TAPE PLAYER

...

DIDN'T WE FIX IT?

REN!

OH NO.

...

WHAT'S HAPPENING?

REN, CAN YOU HEAR ME?

THIS IS A LITTLE DIFFERENT...

I'M NOT LEAVING HIM.

ANY IDEAS?

Tuning in...

HELPING, HOPEFULLY?

IT'S ALL I CAN THINK OF!

...

WERE YOU IN REN?

WHAT ARE YOU?

JONAS!?

OH, GOOD.

CAN WE HELP YOU?

CAN YOU HELP US?

MAGGIE ADLER?

WE DON'T KNOW WHAT YOU WANT!

DON'T DO THAT!

YOU'RE ALIVE!

ARE YOU ALRIGHT?

WE SCREWED UP...

IT WAS THE CAVE.

  • ALEX: When we went into the cave.
  • REN: We were all in the cave!
  • JONAS: The deeper part of the cave.
  • REN: The deeper part of the cave?
  • JONAS: Just listen.

WE SAW THIS TRIANGLE...

  • ALEX: [sigh] We saw this triangle... and I tried to tune it with the radio, and just... everything went all House of Horrors on us! (There are SO many things this could be referring to... hmm...)
  • REN: Eesh. If we don't have our skin tomorrow, I'm blaming you.

WE TRIED TO TUNE THE RADIO...

IT WAS A MISTAKE!

IT WAS THE RADIO.

WE'RE JUST IN TROUBLE

THE ISLAND'S HAUNTED.

CAN ANYONE WORK A RADIO?!

UGH, IDIOT.

WE SHOULD GET TO HER.

...if Ren first,

YEAH, LEAVE US THE BAD ONE...

ARE YOU OKAY TO GO?

  • ALEX: Can you... even make it there..?
  • REN: Can I even make it there?!
  • JONAS: Well you did just have a spectre wearing you like a suit.
  • REN: And all that's left is a little indigestion, I'll be fine.

KEEP IT IN YOUR PANTS.

  • ALEX: Just... keep it in your pants, okay?
  • REN: No promises!
  • REN: Actually, wait... that kinda sounds like I'm gonna force myself on her.
  • JONAS: Yeah, I was just gonna say...

GOOD LUCK!

  • ALEX: Good luck!
  • REN: [laughter] Right back atcha!

I BELIEVE IN YOU!

  • ALEX: I believe in you!
  • REN: [laughter] Right back atcha!

DON'T DO ANYTHING STUPID!

  • ALEX: Don't do anything stupid!
  • REN: Not a problem!

MILNER, HO.

  • ALEX: Milner, ho.

...if Clarissa first,

1 AM - Milner Outpost

...if Clarissa first, if Ren saved,

WHAT?

ARE YOU STILL HIGH?

  • ALEX: Okay, are you still out of it? I shouldn't be paying any attention to this, right?
  • REN: No, this is--I can't believe you don't remember this!

HORSE RANCH SHOW?

CAN'T RECALL.

  • ALEX: Nope. Um... memory's pretty gloomy on this one.

WHY'D THIS POP INTO YOUR HEAD?

UH... SURE. WHAT ABOUT IT?

MICHAEL HAD JUST DIED.

  • ALEX: Michael had just died, like, a month or two before..? And I... I dunno, I just wasn't in the quizzing mood.
  • REN: But you know it's--whatever that's--that's not part of the story.

I JUST HATE TESTS.

I GUESS!

  • ALEX: I guess! I mean, I don't really remember this at all, but... yeah, sure.

SEEMS STUPID IN HINDSIGHT...

FRIENDS ARE MORE IMPORTANT

YOU DIDN'T TELL ME THAT!

OF COURSE YOU DID.

  • ALEX: [sigh] Of course you did. One of these days, Nate's dad is gonna start keeping a tally of his medicine cabinet.
  • REN: And I will rue that day, lemme tell you.

WHY DO YOU THINK?

  • ALEX: Hm. Why do you think so?

YOU HATE SCHOOL!

I DON'T REGRET IT, REALLY.

I'M NOT THAT SMART.

  • ALEX: [sigh] I'm not that smart, Jonas. There's nothing really to "waste" here.
  • JONAS: If you say so.

WORDS TO LIVE BY!

(Ignore the rest of this section.)

SHE SOUNDED WEIRD.

SHE IS SO ANNOYING.

SHE SOUNDED SCARED.

NO IT'S DECOMMISSIONED.

THEY'D HAVE MORE SECURITY.

WHAT ARE YOU TALKING ABOUT?

WHAT SECRET PROJECT?

IT'S REAL.

NOT BUYING IT.

I HOPE SO.

  • ALEX: Yeah, that would be great, wouldn't it? If none of this has happened, it's just some kind of fever dream from an experimental Acid Trip Bomb.
  • JONAS: I dunno about "great", but it'd be nice to know.

COULD BE, I GUESS.

NO WAY!

WHATEVER.

IT'S NOT THAT.

  • ALEX: And it's not that.

Tuning in...

SURE.

WAIT, SERIOUSLY?

YES, EVEN THOSE.

  • ALEX: Well, I got my elbow pinched in one of those one time, so yes, even those.
  • JONAS: And I'm sure it was traumatizing, but we gotta go anyway, sorry.

I GUESS.

Facilities

UGH.

CAN'T GO BACK NOW...

IT WAS HIS BUSINESS.

ANNOYINGLY, YES.

NOT FOR LONG!

NO!

YOU'D HAVE TO ASK HIM.

WHAT SORT OF THING?

SHE'S POPULAR AND "HOT".

DON'T KNOW, DON'T CARE.

SHE'S KIND OF WILD.

WHAT TYPE DO YOU "GO FOR"?

CARMEN SANDIEGO?

  • ALEX: You're describing Carmen Sandiego.
  • JONAS: ...oh yeah. You know, that kinda explains a lot.

IT REALLY WASN'T A BIG DEAL.

ARE YOU INTO HER?

YOU CAN TELL ME...

  • ALEX: Okay... but you can tell me if you are, that's what step-siblings are for: storing embarrassing secrets.
  • JONAS: I'm not, but thanks for offering to be my Shame Vault.

...

CLARISSA, WAIT!

DON'T LEAVE ME HERE, JONAS!

...

JONAS!

WAIT FOR ME!

DOOR

JONAS!

ARE YOU OKAY IN THERE?

LEMME IN!

LIGHT SWITCH

HOLD ON, I'LL CHECK.

JUST RAM IT!

THE DOOR ISN'T UNLOCKED?

...

UM, HELLO?

JONAS..?

HIS MOM'S DEAD!

HOW IS THIS POSSIBLE?

WHAT IS THIS?

DOOR

IT'S A ONE WAY LOCK?

ARE YOU OKAY?

UHHH, A BUNCH OF STRANGE STUFF.

CODES

MY REFLECTION TALKED TO ME, EARLIER...

DON'T BUG OUT ON ME.

WHAT HAPPENED?

...

IT SEEMS ALRIGHT NOW...

OKAY.

DON'T DO ANYTHING DUMB NOW.

PADLOCKED DOOR

WHAT?

I DON'T KNOW.

UHHHH..

US Army Radio Communications School

NO.

NO.

  • ALEX: Nope.

GO IN THE CORNER!

ARE YOU JOKING.

I CANNOT BELIEVE YOU.

PLEASE DON'T.

THIS IS GREAT.

...

UGH!

PEE QUIETER!

CLARISSA, COME BACK!

SHE MIGHT BE IN TROUBLE...

WHAT IS SHE THINKING?

RED COULD BARELY MOVE.

IT'S OBVIOUS, YEAH.

NAH, SHE'S JUST BUGGING OUT.

OPEN DOOR

...

Tuning in...

WHAT'S IT DOING?

THE NAVY..?

CAN YOU BELIEVE THIS?!

THIS ISN'T HANGMAN!

WHY ARE WE BEING TESTED?

FORT MILNER.

SCHOOL FOR ARMED SERVICES.

YEAH, YOU'RE BEING MEAN!

DON'T HURT JONAS!

  • ALEX: I don't care! Just don't hurt--
  • THE SUNKEN: We. Don't. Hurt. Playmates.

UH, NO?

US ARMY RADIO COMMUNICATIONS SCHOOL.

YEAH, SURE!

  • ALEX: Yeah, sure! If that's--if that's what you want!
  • RADIO: Excellent!

WHY DO YOU CARE?!

  • ALEX: Why do you care what I want or don't want or--anything? I didn't come here for this!
  • JONAS: Yeah, we really, really didn't come here for this!
  • THE SUNKEN: Why should we care.
  • RADIO: They didn't care!

NO, NOT AT ALL!

  • ALEX: No? Not at all! I mean, why should I care about any of this?
  • THE SUNKEN: Why. Should. You. Care.
  • RADIO: They didn't care!

UGH, I'M GONNA BE SICK.

THIS ISN'T FAIR!

COOKIES.

CIPHERS.

CODES.

UMMM, NO?

IS THIS LIKE A TRICK?

SCREW YOU!

  • ALEX: Oh, screw you, this isn't--

WHATEVER.

WHY WOULD I?

JONAS?

LEAVE JONAS OUT OF IT!

WHAT ARE YOU TALKING ABOUT?

EIGHTY FIVE.

FIFTY THREE.

TWELVE.

Tuning in...

ARE YOU THE DEAD OFFICERS?

WHAT'S THE BIG IDEA TESTING ME!

WHY ARE YOU HERE?

WHAT DO YOU WANT?

WHAT ARE YOU?

ARE YOU ALRIGHT?

JUST TAKE IT EASY.

COULDA USED YOUR HELP BACK THERE!

If... you failed the test

DON'T BLAME ME!

  • ALEX: Oh, give me a friggin' break! Those questions were impossible, how can you expect me to--

I'M SORRY!

CLARISSA!

I TRIED TO GET IT RIGHT!

I HOPE SHE'S OKAY!

If... you pass the test

...

HUH?

  • ALEX: ...huh..?

A JOKE..?

SHE'S CRACKING UP?

...

If... you save Clarissa first

I KEEP MY WORD.

ARE YOU ALRIGHT?

DON'T EVEN START.

  • ALEX: Ugh... Okay, don't even start, Clarissa, we came, we're here. Be happy.
  • CLARISSA: Alright. Don't get all... you know, but be honest.

    YES, OF COURSE.

    NO, OF COURSE NOT.

    WELLLLL...

    • ALEX: Well... I mean...
    • JONAS: Yes, we wouldn've. We're not gonna leave you behind, okay?
    • CLARISSA: You're a good boy, Jonas, but... watch out for that one.

    If... you save Ren first

    WE'RE HERE NOW.

    • ALEX: We came here, okay? We showed up, and--you know what? It wasn't exactly an easy walk, there were, like, obstacles.
    • CLARISSA: Obstacles. Obstacles, okay, what ninja training ground kept you from showing up when I called, huh?
    • CLARISSA: I mean, it's like a three mile spread.
    • CLARISSA: That's like twenty minutes if you jog!
    • NOTICE THE GHOSTS.

      • ALEX: Oh, I dunno, maybe all the ghosts that are shambling around, handing out tests?
      • CLARISSA: Oh my god... Look, stuff has been... strange, I'll give you that, but let's not bungee jump into lunacy just yet, okay?
      • JONAS: Okay, whatever, Clarissa, just--where's the radio?

      HOW'D YOU EVEN GET HERE?

      ALL THE LOCKED DOORS!

    ARE YOU... ALRIGHT?

    • ALEX: Um... are you alright?
    • CLARISSA: I mean, yeah? Why?
    • CLARISSA: Yeah, sure, my hair might be a little weird, but...
    • CLARISSA: There's not a lot I can do about that.

    YOU SOUNDED... DISTRESSED.

    • ALEX: You just sounded... really distressed, that's all.
    • CLARISSA: Well, I mean... I dunno. I'm fine now, so...

    I GUESS YOU'RE OKAY.

    YOU SOUNDED OFF.

    DON'T EVEN START.

    RADIO

    ...

    If... Clarissa saved first

    YOU ALREADY SAID THAT.

    UH OH.

    • ALEX: Uh... Mm, CONTENT MISSING

    SOMETHING JUST HAPPENED.

    If... Jonas saved first

    NOT NOW!

    JONAS, WE'RE IN A TIME THING! (Alternate option here if you have not been to Ren)

    • ALEX: Jonas, wait, we're in another... [sigh] we got looped again.
    • JONAS: Crap! Well, uh, just keep me in the loop. ...I didn't mean to say that.

    NO!

    CLARISSA!

    WHY!

    ...

    HOLY CRAP.

    OKAY...

    NO THANKS.

    A DRINK, TOO.

    I'VE MISSED YOU ALOT.

    NO, I CAN'T.

    • ALEX: Uh... no, Michael, I can't. You're... [sigh] You're not there.
    • MICHAEL: Well... sometimes I'm there.

    YEAH... SURE.

    • ALEX: Yeah... sure.

    I'M DOING ALRIGHT.

    THINGS ARE BAD.

    IT'S NOT GONNA BLOW OVER!

    • ALEX: It's not gonna be fine, it's not gonna be fine, I--I know how this goes, I have... insider information, let's just call it, okay?
    • MICHAEL: Look. Just because Janie's parents got a divorce and made poker night super uncomfortable doesn't mean ours have to too, alright?

    NO PROBLEM.

    WHAT DO YOU SEE IN HER?

    DON'T LET IT HAPPEN AGAIN.

    DUMP HER.

    DO WHAT YOU WANT.

    STICK WITH IT.

    NO WAY.

    I NEED IT MORE THAN YOU.

    3:20 AM Present Day - Epiphany Field

    I JUST SAW MICHAEL!

    I WAS BACK IN TIME!

    MAYBE IT WAS AN ILLUSION...

    • ALEX: Maybe it was... uh, maybe it was an illusion or something?
    • NONA: Well, maybe it wasn't. Maybe it was, like, a real thing.
    • NONA: What'd you see? What was it like?
    • NONA: What happened, basically?

    I WAS IN THE PAST...

    WE WERE ON THE BEACH.

    CLARISSA WAS THERE...

    • ALEX: Clarissa was there, too, it wasn't just me.
    • ALEX: It was a day I can remember, actually, when... Michael and I spent a random Saturday on the beach here.
    • ALEX: It was just... unbelievable to... see him again.
    • NONA: [sigh] Are you doing okay?
    • NONA: Something like that... I dunno if I'd like it.

    IT WAS GOOD TO SEE HIM.

    • ALEX: No, it was... It was good to see him. I'm... treating it like a--a temporary gift. That's all.
    • NONA: Okay.

    IT SUCKS THAT HE'S NOT HERE.

    IT WAS JUST WEIRD.

    WHAT WAS I DOING?

    I WAS?

    • ALEX: I... I was?
    • NONA: Yeah, it was just like you--you totally lost all your wind.
    • NONA: But, I mean, you seem okay now, so... let's just get to the gate quick and do this thing and get home.

    DID YOU NOTICE I WAS GONE!

    ...

    YOU TWO MADE UP?

    SHE'LL BE ALRIGHT.

    LET'S JUST CHECK OUT THE BOAT.

    • ALEX: Look. We got the way in, let's just... do what we meant to do and check to see if the boat works.
    • NONA: But not leave yet, right?

    SHOULD WE LOOK FOR HER?

    WEIRD STUFF HAPPENED...

    SHOULD WE LOOK FOR HER?

    • ALEX: Yeah. Should we maybe... look for her, possibly? Even if the boat plan works, we shouldn't leave her here.

    CLARISSA'S GONE, THOUGH.

    GATE

    Tuning in...

    Epiphany Field - with Jonas

    STILL WAITING FOR THE SORRY.

    YOU COMPLETELY LOST IT!

    • ALEX: You like completely lost it up there, and for no reason either--I mean, we should be, like, in this together.
    • JONAS: I know, I know, I'm sorry. I didn't mean to blow up.

    YOU SHOULD APOLOGIZE TO REN!

    WHY'D YOU DO IT?

    THIS IS THE TRUTH?

    • ALEX: And this... is the truth. You beat up a guy.

    SO YOU'RE A CREEP.

    THAT'S NO EXCUSE!

    WHAT HAPPENED TO HIM.

    I THINK I UNDERSTAND.

    • ALEX: You... lost control, Jonas, it happens, we... we break sometimes.

    Adler Estate

    HOW'D SHE GET SO RICH?

    THERE'S SOMETHING UP WITH HER.

    THERE'S THE BOAT.

    ...

    MAYBE IT'S IN THE HOUSE.

    A PHONE INSIDE?

    DOES ANYONE KNOW HOW TO DRIVE IT?

    DOOR

    Tuning in...

    ENTER HOUSE

    HOW'D YOU GET IN HERE?

    I DON'T BELIEVE YOU.

    SURE.

    • ALEX: Okay. Sure.

    EVERYONE, KEEP YOUR DISTANCE.

    WHERE HAVE YOU BEEN?

    KEEP YOUR EYE ON CLARISSA.

    FINE.

    I'M NOT GOING WITH CLARISSA.

    PULL STRING

    WANNA COME UP?

    ATTICS ARE SPOOKY.

    DESK

    CHEST

    ...if no combination,

    MY GUESS IS PARANOID.

    • ALEX: Well, she buried in "sonically camoflauged" containers, Jonas. My guess is paranoid.

    PROBABLY TIDY.

    ...if combination,

    THE GHOSTS?

    • ALEX: She must have it out, that there were ghosts here and the potential for them to be running amok.
    • JONAS: I guess that's a possibility.

    SOMETHING ABOUT RADIOS...

    • ALEX: "Tune into the source..." It--it's probably something about the special radios, you know?
    • JONAS: Huh.

    SUBMARINE STUFF?

    GREAT.

    • ALEX: Perfecto.

    LET'S GET OUT OF HERE.

    I GOT THE KEYS.

    JONAS FOUND THEM.

    • ALEX: Jonas found them in a chest upstairs. So, say thank you.
    • REN: Thank you.
    • JONAS: You're welcome.
    • REN: I was just saying it, it's not directed at you or anything.
    • JONAS: Okay.

    ...

    WHERE ARE YOU?

    I'M NOT LISTENING TO YOU!

    WHAT'S GOING ON?!

    ...

    TRAINING?!

    LET MY FRIENDS GO!

    WHY ARE YOU DOING THIS!?

    I WISH I HADN'T!

    I'M SORRY, ALRIGHT?

    HOW WAS I SUPPOSED TO KNOW!?

    I DON'T WANT TO PLAY THIS!

    AND WHAT IF I DON'T!?

    WHY ALL THE GAMES!

    TELEVISION

    WHAT DOES THIS HAVE TO DO WITH US?

    WHAT ARE YOU TALKING ABOUT?

    PAINTING

    PORTRAIT

    IF WE HELP YOU...

    WHAT HAPPENED TO ANNA?

    WHAT IS IT?

    NO!

    WHAT HAPPENS TO THEM?

    YOU CAN'T DO THAT!

    THERE HAS TO BE ANOTHER WAY!

    YOU HAD YOUR TIME!

    DON'T DO THIS!

    plays sometimes? part of DON'T DO THIS!?

    THAT'S NO EXCUSE.

    • ALEX: That is no excuse for stealing our--our souls!
    • CLARISSA: Well, it's the only excuse you're going to get.

    I DON'T CARE!

    • ALEX: I don't care about your--your time problems, these are my friends you're replacing!
    • CLARISSA: Then let us share in each other's disregard.

    WHAT YOU'RE DOING IS WRONG.

    ...

    THAT COULD'VE GONE BETTER.

    SO I'M SCREWED.

    ...

    OKAY, WHO ARE YOU?

    WHAT DOES IT MATTER!?

    ...

    NOPE, NO DREAM.

    I WISH IT WAS.

    WELL...

    YEP.

    YES, EXACTLY.

    WE HAVE TO FIX THE PROBLEM.

    OR WE COULD JUST LEAVE...

    MAGGIE MIGHT HAVE A WAY.

    WE NEED TO TUNE INTO THE CAVE.

    SHE'S INVOLVED.

    SHE KNEW SOMETHING!

    • ALEX: She knew something! I mean, look around, this whole house is like a ghost-hunting command center.
    • ALEX: And she thought she needed to tune a radio into the... the source of the problem in the cave.

    USE THE RADIO IN THE CAVE?

    NO CLUE.

    ...

    IT'S EPIPHANY.

    DOESN'T MATTER, MOVING ON.

    REEL

    IT'S SWEET.

    GIVE IT A MINUTE!

    NEXT SLIDES

    BRILLIANT.

    THAT DOESN'T HELP!

    BUT THE SHELTER'S LOCKED, RIGHT?

    NEXT SLIDES

    MAYBE WE HAVE TO.

    HOW WOULD SHE EVEN KNOW THIS?

    MAYBE SHE WAS WRONG.

    NEXT SLIDES

    BRILLIANT!

    OKAY, ANY OTHER IDEAS?

    THAT EQUIPMENT WILL WORK?

    WAIT, WHAT ARE WE DOING?

    I'VE BEEN WITH JONAS ALL NIGHT...

    I'VE JUST SEEN YOUR FACE SO MUCH!

    • ALEX: It's just that I've been staring at your face so much, I'm gonna be dreaming about clawing your eyes out tomorrow.
    • NONA: What?! That's a thing?!
    • JONAS: Jesus, maybe we should split up.
    • REN: No! No, this is fine. I mean... why mess with success, right?

    LET'S THINK THIS THROUGH...

    WE WON'T KNOW HOW TO WORK IT.

    DON'T WE NEED CODES?

    • ALEX: Don't we need, like, access codes or something like that?
    • REN: Actually..? I doubt it. It'll probably be tied ti, like, the military radios, and... well, we stole them, so.
    • NONA: Well, the system works!

    WE WON'T!

    NOW I'LL BE SURE TO TELL YOU!

    SAME HERE!

    Epiphany Field

    ...

    I SAW REN DROWNING!

    WHAT JUST HAPPENED?

    REN MIGHT BE IN TROUBLE!

    I DID?

    REN NEEDS HELP.

    UH OH.

    WHAT ABOUT REN?

    YEAH, LET'S DO THIS.

    ...

    I SAW REN DROWNING.

    JONAS, IT WAS REAL!

    OKAY, I GUESS THEY'RE FINE.

    • ALEX: Okay. I guess they're fine. For them.
    • REN: What does--

    JUST ON OUR WAY TO THE WOODS.

    REN, ARE YOU OKAY?

    JUST BE CAREFUL.

    • ALEX: Okay. But, just... like, be careful, you two, okay?
    • REN: Careful, definitely, will do.
    • NONA: Check, double check.

    NO! THEY'RE IN DANGER!

    4 AM - Tohwee Grove

    4 AM.

    BED.

    PIZZA, OF COURSE.

    • ALEX: [sigh] Never leave pizza on the table.
    • ALEX: It's like getting eleven in blackjack. Just double-down, don't even think about it.

    DOESN'T YOUR PHONE SAY?

    WHY? GETTING TIRED?

    YES, ABSOLUTELY.

    I ONLY KIND OF UNDERSTOOD...

    IT'S ALL WE HAVE.

    HITLER WAS CONFIDENT, TOO!

    DON'T WORRY ABOUT IT.

    THEY SHOULD BE CONCERNED.

    Bridge Stand

    ...

    ANOTHER LOOP...

    NOT THIS AGAIN.

    ...

    YEPPP.

    ...

    CLARISSA WAS "DEAD" TOO.

    OH MY GOD.

    HOW?!

    ...

    ...

    ...

    ...

    SHUT UP.

    FIX REN!

    YEAH, RIGHT.

    • ALEX: Yeah, sure. Just like you infesting us like lice isn't your fault, either.
    • JONAS: That we have and will own up to, but the other stuff... that, we're afraid, is on you.

    WHATEVER.

    YOU'RE NOT JONAS.

    WE'RE AWESOME!

    MEET YOU THERE.

    Tohwee Woods

    JONAS!

    WHAT?

    OH NO, C'MON.

    ARE YOU OKAY NOW?

    WHAT DOES THAT FEEL LIKE?

    IT'S GETTING WORSE.

    WHAT IS IT?!

    IT'S OKAY, SAY IT.

    AWWWW.

    OF COURSE YOU ARE.

    I'M GLAD, TOO.

    AND WE'RE GONNA BE FINE.

    YEAH, LET'S FINISH THIS.

    5 AM - Epiphany Field

    6 PM Last Year - Epiphany Field

    HUH?

    WHAT CONCERT?

    WHO'S ASHLEY?